15edo-interval names

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steps	cents	Aaron's Answer	Igs' Input	Keenan Category	Margo's Method	Piotr Grochowski — 43edo	Piotr Grochowski — 50edo	SagiSpeak	Ups and Downs	Gareth's Go	ratios
0	0	P1	Unison	P1	Unison	unison	unison	P1	P1, m2	P1	1/1
1	80	m2	Subminor 2nd	m2	Minor 2nd	augmented unison	augmented unison	pai-P1	^1, ^m2	S1/Sm2	25/24, 21/20, 16/15
2	160	NM2 (Narrow M2)	Neutral 2nd	M2	Large Neutral 2nd	high neutral second	high neutral second	pao-M2	vM2	sM2	11/10, 12/11, 10/9
3	240	LM2	Supermajor 2nd	A2/d3	Large Major 2nd	second–third	super major second	M2	M2, m3	M2/m3	8/7, 7/6, 9/8
4	320	Lm3	Minor 3rd	m3	Large Minor 3rd	minor third	minor third	pai-m3	^m3	Sm3	6/5, 11/9
5	400	M3	Major 3rd	M3	Major 3rd	major third	high major third	pao-M3	vM3	sM3	5/4, 14/11
6	480	S4 (Small 4)	Sub 4th	P4	Small Perfect 4th	low fourth	low fourth	P4	M3, P4, d5	P4	4/3, 9/7, 21/16
7	560	Na4/Sd5	Narrow Tritone	A4	Small Tritone	low augmented fourth	low augmented fourth	pai-P4	^4, ^d5	S4	11/8, 7/5
8	640	La4/Wd5	Wide Tritone	d5	Large Tritone	high diminished fifth	high diminished fifth	pao-P5	vA4, v5	s5	16/11, 10/7
9	720	L5	Super 5th	P5	Large Perfect 5th	high fifth	high fifth	P5	A4, P5, m6	P5	3/2, 14/9, 32/21
10	800	m6	Minor 6th	m6	Minor 6th	minor sixth	low minor sixth	pai-m6	^5, ^m6	Sm6	8/5, 11/7
11	880	SM6	Major 6th	M6	Small Major 6th	major sixth	major sixth	pao-M6	vA5, vM6	sM6	5/3, 18/11
12	960	SM7	Subminor 7th	A6/d7	Small Minor 7th	sixth–seventh	sub minor seventh	m7	M6, m7	M6/m7	7/4, 12/7, 16/9
13	1040	Wm7	Neutral 7th	m7	Small Neutral 7th	low neutral seventh	low neutral seventh	pai-m7	^m7	Sm7	20/11, 11/6, 9/5
14	1120	M7	Supermajor 7th	M7	Major 7th	diminished octave	diminished octave	pao-P8	vM7, v8	sM7/s8	48/25, 40/21, 15/8
15	1200	P8	Octave	P8	Octave	octave	octave	P8	M7, P8	P8	2/1