User:265 993 303/Extra-Diatonic Intervals — 50edo

From TD Xenharmonic Wiki
Jump to navigation Jump to search

Like User:PiotrGrochowski/Extra-Diatonic Intervals, but with 50edo instead of 43edo. Unlike User:PiotrGrochowski/Extra-Diatonic Intervals, high and low do not stand for the septimal intervals, instead super and sub do. A 400 cent major third from 12edo is a high major third.

13-limit ratios are based on meanpop and are 69–integer–limit. They are valid to the amount of fifths, and need not necessarily convert to the same interval.

The base intervals come from the circle of fifths from -7 to 7 fifths: diminished octave, diminished fifth, minor second, minor sixth, minor third, minor seventh, fourth, unison, fifth, major second, major sixth, major third, major seventh, augmented fourth and augmented unison. This is unlike Igliashon's Extra-Diatonic Intervals, which only uses -5 to +5 fifths. The reasoning for the expanded range is that a chromatic scale is made of 6 augmented fourths and 6 diminished fifths, as well as 7 minor seconds and 5 augmented unisons. In the other hand, the diminished fourth at -8 fifths is considered a wolf major third in 5-limit, and a septimal major third in 7-limit, so this system names it a high major third instead.

Unison–second refers to the interval in the middle of augmented unison and minor second (like the ambiguous 100 cent interval in 12edo), not in the middle of unison and minor second.

interval 19edo steps 31edo steps 50edo steps 81edo steps 50edo cents fifths 13-limit ratios
unison 0 0 0 0 0 0 1/1
high unison 0 1 1 2 24 +19
low augmented unison 1 1 2 3 48 -12
augmented unison 1 2 3 5 72 +7
unison–second 2 2 4 6 96 -24
minor second 2 3 5 8 120 -5
low neutral second 2 4 6 10 144 +14
high neutral second 3 4 7 11 168 -17
major second 3 5 8 13 192 +2
high major second 3 6 9 15 216 +21
super major second 4 6 10 16 240 -10
sub minor third 4 7 11 18 264 +9
low minor third 5 7 12 19 288 -22
minor third 5 8 13 21 312 -3
low neutral third 5 9 14 23 336 +16
high neutral third 6 9 15 24 360 -15
major third 6 10 16 26 384 +4
high major third 6 11 17 28 408 +23
super major third 7 11 18 29 432 -8
sub fourth 7 12 19 31 456 +11
low fourth 8 12 20 32 480 -20
fourth 8 13 21 34 504 -1
high fourth 8 14 22 36 528 +18
low augmented fourth 9 14 23 37 552 -13
augmented fourth 9 15 24 39 576 +6
fourth-fifth 9 16 25 41 600 +25
diminished fifth 10 16 26 42 624 -6
high diminished fifth 10 17 27 44 648 +13
low fifth 11 17 28 45 672 -18
fifth 11 18 29 47 696 +1
high fifth 11 19 30 49 720 +20
super fifth 12 19 31 50 744 -11
sub minor sixth 12 20 32 52 768 +8
low minor sixth 13 20 33 53 792 -23
minor sixth 13 21 34 55 816 -4
low neutral sixth 13 22 35 57 840 +15
high neutral sixth 14 22 36 58 864 -16
major sixth 14 23 37 60 888 +3
high major sixth 14 24 38 62 912 +22
super major sixth 15 24 39 63 936 -9
sub minor seventh 15 25 40 65 960 +10
low minor seventh 16 25 41 66 984 -21
minor seventh 16 26 42 68 1008 -2
low neutral seventh 16 27 43 70 1032 17
high neutral seventh 17 27 44 71 1056 -14
major seventh 17 28 45 73 1080 +5
seventh-octave 17 29 46 75 1104 +24
diminished octave 18 29 47 76 1128 -7
high diminished octave 18 30 48 78 1152 12
low octave 19 30 49 79 1176 -19
octave 19 31 50 81 1200 0