17edo Solfege
Expanding the "movable-do" solfege system for 17edo: an aid for microtonal singing; a way of wrapping yr brain around a new sound system.
Ordinary solfege syllables work very well in 17:
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
C | Db | C# | D | Eb | D# | E | F | Gb | F# | G | Ab | G# | A | Bb | A# | B |
do | ra | di | re | me | ri | mi | fa | se | fi | sol | le | si | la | te | li | do |
Note that syllables usually treated as enharmonic equivalents become distinct pitches in 17 (eg. "ra" & "di"). Spelling matters here.
This system could work just fine on its own, but what if I want to respell the pitches to put them into another pitch class? For example, what if I want to treat D# as a kind of third (a neutral third) instead of a kind of second (an augmented second)? For pitches, we have up-down arrows (thank you Sagittal) that can allow us to respell like this:
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
C | Db | C# | D | Eb | D# | E | F | Gb | F# | G | Ab | G# | A | Bb | A# | B |
C | C-up | D-down | D | D-up | E-down | E | F | F-up | G-down | G | G-up | A-down | A | A-up | B-down | B |
So, for example, we can respell our augmented second, D#, as a neutral third, E-down, & get something more intuitive & useful for certain purposes.
But what if we want solfege syllables for these respellings?
ru, mu, lu & tu[edit]
I offer the suffix "-u" to indicate neutral 2nds, 3rds, 6ths, & 7ths.
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
C | Db | D-down | D | Eb | E-down | E | F | Gb | F# | G | Ab | A-down | A | Bb | B-down | B |
do | ra | ru | re | me | mu | mi | fa | se | fi | sol | le | lu | la | te | tu | ti |
So if we encounter a "ru," we know to take it as a neutral second (not an augmented unison); if we encounter "lu," we know to take it as a neutral sixth (not an augmented fifth) & so on.
fu & su[edit]
What about the two tritones? Perhaps you want to respell G-flat as F-up. For this, I offer "fu"; likewise, if you want G-down in place of F-up, I offer "su".
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
C | Db | D-down | D | Eb | E-down | E | F | F-up | G-down | G | Ab | A-down | A | Bb | B-down | B |
do | ra | ru | re | me | mu | mi | fa | fu | su | sol | le | lu | la | te | tu | ti |
other enharmonics[edit]
Some offers, to fill out the octave:
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
C | C-up | D-down | D | D-up | E-down | E | F | F-up | G-down | G | G-up | A-down | A | A-up | B-down | B |
do | da | du | re | ro | mu | mi | fa | fu | su | sol | sa | lu | la | lo | tu | do |
[edit]
side-by-side[edit]
For comparison, the full system:
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 |
C | Db/C-up | C#/D-down | D | Eb/D-up | D#/E-down | E | F | Gb/F-up | F#/G-down | G | Ab/G-up | G#/A-down | A | Bb/A-up | A#/B-down | B |
do | ra | di | re | me | ri | mi | fa | se | fi | sol | le | si | la | te | li | do |
do | da | du | re | ro | mu | mi | fa | fu | su | sol | sa | lu | la | lo | tu | do |
See also 22edo Solfege